That said, whenever Luka Chuppi does score, it is uproarious fun. Why do you need to add a message in a film that has Pankaj, in a thankless role, leching at any woman that moves around him? Why do you need to talk about freedom of choice and power of youth when a 'love marriage' is approved only because both families belong to the same caste? But, even there, the unnecessary message forced into the proceedings doesn't fit in with the tone of the film at all. The film comes into its own only towards the end of the 126-minute runtime when it becomes a comedy of errors. Hence, you are never quite invested in this relationship, and you don't feel Guddu and Rashmi are either. The biggest conflicts during this live-in equation are Guddu's inability to prepare a decent cup of noodles, and Rashmi's disinterest in cleaning the toilet. However, what follows is probably the weakest portion of the film, with the couple facing hardly any real problems during this phase of their lives. Guddu Shukla (Kartik) and Rashmi Trivedi (Kriti) fall in love, but when the former proposes marriage, Rashmi feels they need to live together before deciding their marriage compatibility. However, since it's fashioned as a romcom, things in Luka Chuppi never get too serious, and even the proverbial twists and turns become convenient detours, nothing more. And the age-old trope of the hero falling in love with the leader's daughter is repeated here. The outfit's leader in Mathura, Vishnu Trivedi (Vinay Pathak), and his cohorts lead by Srikanth Trivedi (an impressive Ajeet Singh) create havoc in different places across the state and do what these outfits specialise in doing: unleash unrelenting violence in the name of moral policing. Laxman Utekar's directorial debut begins with a radical Hindu outfit taking offense against a Superstar's comments on live-in relationships.
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